When diagnosing films I found it to
be quite difficult. You would think it
would be easy, but in the end it is difficult because you are not talking to
the person you are supposed to be diagnosing first hand. You are just watching what they are doing in
the film. Some people feel that being an
observer is better than interviewing the diagnosee, but for me personally I
would rather talk to them and learn the emotions they were feeling during the
various times of the crimes or dramatic outbursts. For me it is very difficult to give brief
synopsis because I pay attention to great detail. To me everything is of great importance and
so breaking something down to make it a fast explanation is just not possible
for me. My “brief” synopsis for each of
these films is going to be the explanation of the entire film from start to
finish and then the last few paragraphs will be my diagnoses. I will put in bold print what are the “more”
important things to look at when looking for diagnostic criteria.
In the film “Hannibal Rising” you
get the life story of Hannibal Lecter.
Hannibal Lecter is based on four real serial killers; Pietro Pacciani
(The Monster of Florence), William Coyne, Albert Fish, & Andrei Chikatilo. The author, Harris, took these four killers
and created one “True Sociopath” as Hannibal is called in “The Silence of the
Lambs” by his doctor. Harris did not
intend for anyone to find out who his character was based on, but of course
with the work of various journalists they were able to discover these four men.
“Hannibal Rising” starts out with
Hannibal Lecter as a child 9 years-of-age.
He is helping his family take care of his little sister, who is 4
years-of-age, as they go into hiding during WWII in 1944. He
watches both of his parents die and then has to take care of his little sister,
Mischa, who becomes ill. The family
cabin they were hiding in is invaded by German Soldiers who are trying to hide
from the war as well. They are all
starting to starve so they look at the children as a meal. They decided to kill Mischa and cook her in a
stew because she is sick and will die anyway.
Hannibal tries to save her, but he is too weak from starvation. He promises his sister he will get revenge
for her murder. After the cabin is bombed
and the soldiers run away Hannibal escapes while still chained and collapses in
a snow covered field near death. He is
discovered by the French forces.
We then skip forward quite a few
years where Hannibal is around the age of 16 or 17 and he is in an all boys
orphanage that was organized and housed in his family’s mansion. Hannibal
has not talked since he was found in the field, but he has reoccurring
nightterrors which cause him to self-mutilate and scream out Mischa’s
name. Many of the older boys pick on
Hannibal since he is rich, orphaned, does not talk, and screams in his
sleep. One of the nights when Hannibal
is having a nightterror the three boys that usually pick on him grab him from
his bed and trap him in a cell in his stable or basement; you cannot really
tell which it is. Hannibal has obviously
been trapped there many times before because he goes to the back of the cell
and uncovers a hidden passage that looks as though it has been dug out and he
escapes, goes back inside, grabs some letters he knows are hidden in a
bureau and runs away to France where he hopes to find his uncle.
Once Hannibal reaches France he
discovers that his uncle has passed away, but his aunt, Lady Murasaki, is still
alive and well. Lady Murasaki takes Hannibal in with some hesitation because he is so
quiet and she is scared because of his past.
Lady Murasaki takes care of Hannibal after each of his night and day
terrors. She stitches him up if he injures
himself too drastically. She then starts
to teach him how to fight like a samurai and teaches him about her family’s
history. Her ancestor happened to be a
great warrior who would behead his victims and present the heads to their
people as an intimidation method. Hannibal becomes very fascinated by this
ancestor, the medical world and anything that the chef of the house could teach
him.
This is when Hannibal Lecter begins
to kill and not just injure people. The butcher, Paul, was talking inappropriately
to Lady Murasaki and tries to grab her.
Hannibal takes the meat cleaver and starts whacking at Paul’s legs. The police break up the fight before there is
too much damage done. Later you see Hannibal grab Lady Murasaki’s
ancestor’s sword and rub it down with essence of Clove; a staining oil, before
putting it in its sheath and leaving with it.
Next you see Paul catch a fish and start to leave the lake, but he hears
a mandolin being played; Hannibal is playing a lullaby that was Mischa’s
favorite and which was sung to her as she was murdered. Hannibal plays around with the Butcher and
then slices at his stomach, arms and back before he goes in for the death blow,
which beheads the butcher. The last
thing that Paul sees is a sketch of his head on a plate which Hannibal drew
himself. He seems to be a very good
artist. Hannibal takes much enjoyment
out of this kill.
Detective Popil is assigned this
case and you discover that he was actually the French Officer who rescued
Hannibal when he was a little boy from dying out in the cold. They meet again when he takes Hannibal into
custody for an interrogation about his fight with the Butcher in the
market. However, just before he is taken
into custody Lady Murasaki awakens and discovers Paul’s head on a plate on her ancestor’s alter. She then smells Hannibal’s hands which smell
of the essence of Clove and she orders him to wash them thoroughly. Once
Hannibal is taken into custody he is given a lie detector test which he passes and
then is interrogated by detective Popil who suspects Hannibal. Hannibal enjoys this game of cat and mouse
with Popil and he can tell that Hannibal is playing with him, but there is nothing
that he can do about it because there is no proof that Hannibal killed the
Butcher. Lady Murasaki takes Paul’s
head and puts it on one of the spikes of the fence across from the police
station after carving a swastika in his forehead to make it look like a hate
crime. Hannibal is released, but
detective Popil is not convinced.
Hannibal moves to another town in
France to go to Medical school and he is enjoying his position preparing the
cadavers for the anatomy classes. He is
still plagued by night terrors and starts to draw pictures of the faces of the
men who murdered and ate his sister. He
still cannot remember their names and this fact troubles him. He cannot avenge Mischa if he cannot find the
men. While all of this is going on things are starting to heat up between
Hannibal and Lady Murasaki and his interest in Cannibalism is becoming more
prominent.
When he comes to the jail to pick up
a body of a prisoner after execution; he runs into detective Popil again who is
interrogating the man that Hannibal is supposed to pick up. They give this man a drug which causes his
repressed memories to come to the forefront of his mind so he speaks of
them. Afterward they lead him to be executed, but he starts to resist because
he does not want his crucifix near his heart, but near his brain and Hannibal
knows this so he takes the crucifix and places it in the man’s mouth who then
thanks him in his drugged state.
Detective Popil does not understand how Hannibal understood this when no
one else did and Hannibal does not offer an answer. Just before Hannibal leaves he steals the
vial of this drug and then later in his room shoots up on the drug and lays
back to sleep and tries to remember the names of the men. He remembers and then goes to the first
person he remembers, Enrikas Dortlich, to discover where the other four men
are.
Enrikas Dortlich thought that he was
following Hannibal, but in reality Hannibal knew that Enrikas was following him
and so he knew that going back to the cabin where the crime was committed would
be the best place to trap him. Enrikas
had become a cop after the war ended.
Hannibal knocks out Enrikas and when he comes to he is tied to a tree
and Hannibal was talking to him.
Hannibal starts a game of cat and mouse with Enrikas and tries to get
him to tell him where the other men are.
Enrikas is not corroperating so Hannibal
takes the top part of the rope that is around him and puts it around his
neck. This rope goes around Enrikas and
a wide tree about four times and then connects to the saddle of Hannibal’s
horse. Hannibal goes over to the horse,
starts petting it, and singing the lullaby that was Mischa’s favorite and the last
thing she heard. He starts leading the
horse forward and encouraging Enrikas to sing along. Enrikas starts to freak out and sing
along. He then yells for Hannibal to
stop and he will tell him everything.
Hannibal goes back over to Enrikas and listens to the information, but
Enrikas is still holding things back and Hannibal knows it. He starts heading back to his horse and
Enrikas yells the rest of the information.
Zigmas Milko, Vladis Grutas (the leader), and Petras Kolnas are in
France (the town where he goes to medical school) and Bronys Grentz is in
Canada. Hannibal signals the horse to continue moving forward as he screams the
lullaby at Enrikas and Enrikas screams it back at Hannibal. Enrikas’ is decapitated by the rope and
Hannibal cuts out his cheeks and cooks them with mushrooms then puts one of
Enrikas’ dog tags in his mouth and leaves his head on a tree stump for
detective Popil to find. Hannibal learns
from Lady Murasaki’s chef that when serving fish to the lady of the house it is
customary to give her one of the cheeks of the fish and the guest of honor the
other cheek since they are delicacies of the fish. This is why Hannibal eats the cheeks of two
of the five men he kills (you are not sure if he does it to the others
because the film does not show it).
Hannibal tells Lady Murasaki that he
remembers the men’s names, but he does not tell her how or about Enrikas
Dortlich. They go to the restaurant of
Petras Kolnas, who is one of the four remaining men. They
see that he has children, but that does not seem to deter Hannibal; if anything
it appears to encourage him even more, especially when he sees the daughter is
wearing Mischa’s bracelet. Lady Murasaki
becomes even more scared of Hannibal when she sees and hears his determination
and sees his calm-wolf-like persona while in the restaurant.
Petras learns of Enrikas’ death and
warns Milko and Grutas that Hannibal is in France and will be coming after them
next. Grutas remembers Hannibal and
Mischa very well, but Milko is completely oblivious until Grutas reminds them
that they ate dinner with little Hannibal.
Grutas does not appear to be worried, but he sends Milko to tail Hannibal
and sends Petras back to his restaurant and family. Grutas and Milko run an underground
prostitution ring on a boat in one of the French Marinas so at least Grutas
appears to live very wealthy; we are unsure of Milko’s living arrangements.
As Milko tags Lady Murasaki and
Hannibal, he thinks he is doing a good job of staying under the radar, but as
we know Hannibal has a very good sense of people and seemingly has a sixth
sense for society. Hannibal goes into
the school to continue his late night studies and preparations of the bodies
and Milko follows him thinking he is discreet and will get the jump on
Hannibal. When Milko thinks that
Hannibal is unaware he has snuck in he tries to sneak up on him, but instead it
is Hannibal who gets the jump on Milko and drugs him with a heavy sedative. When Milko comes to he is tied up on the
machine used to hold the cadavers in the preparatory embalming fluid that will
prepare them for the Anatomy classes. Milko tries to remain calm and explain to
Hannibal that Grutas just wants to pay him to leave them all alone and forget
everything that happened in the past.
Hannibal ignores the money and throws it and Milko’s clothes in the
crematorium furnace. Milko begins to
panic and screams that he is sorry, but they were all so hungry and his sister
would have died anyway had they not put her out of her misery. Hannibal is not taking this as an apology and
plays with Milko’s mind just a little more to get information about that time
in the Cabin; he does this by spraying Milko with a hose over and over until he
is ready to talk, but when he does not get the information he is looking for he
starts to spray him with the hose again.
He learns that Grutas killed Mischa and ordered her to be cooked in a
stew. Before Hannibal can get any
more information from Milko detective Popil enters the school and Hannibal closes the lid to the embalming
machine so it muffles Milko’s screams and drowns him since it is filling with
more embalming fluids.
Detective Popil takes Hannibal down
to the station and warns him to not do anything while in his country and then
tries to reach out to Hannibal and save his soul from committing any other
heinous murders, but Hannibal is not listening.
He only seems to be playing
around with the detective as usual. When
Hannibal is released he goes back to the school and takes the drowned Milko out
of the embalming pool, cuts off his head and his cheeks and burns his head with
his dog tags in his mouth.
Once Hannibal goes back to his room
he finds Lady Murasaki there looking through his drawings. She goes to him and asks him to promise her
that he will stop this escapade and come away with her. He
thinks about it, but hears his sister’s voice yelling his name and he cannot
bring himself to promise her that he will stop since he had promised his sister
first. Lady Murasaki cannot help but
hang her head and leave for failing to save Hannibal.
Hannibal starts to create a trap
that involves explosives and you start to wonder what he is up to. Next thing you know you are in the house of
Vladis Grutas. Hannibal is hiding in his
shower and when he feels the time is right he gets out and startles
Grutas. Grutas tries to make nice with Hannibal, but Hannibal is not amused
with that, but amused with the fact that he is about to kill the man who killed
Mischa. With a cynical smile cold enough
to chill anyone’s blood Hannibal tosses a liquid onto Grutas and takes out a
lighter. He is about to light up Grutas
when all of a sudden he is attacked and shoved against the bathtub that Grutas
was laying in. Grutas gets out and tries
to have a little fun with Hannibal, but Hannibal is only entertained by
this. The explosive that Hannibal
had set up goes off and he escapes.
Hannibal goes to Lady Murasaki’s
apartment only to find that she is not there.
Her phone starts to ring and he answers it. Vladis Grutas is on the other end telling
Hannibal to bring all of the dog tags and information he has on all of them to a
particular area if he wishes to get Lady Murasaki back. As they bring Murasaki past a cage of birds
she hits it so Hannibal knows they are at the restaurant. Hannibal goes to the restaurant to find
Petras Kolnas is still there, but Lady Murasaki is not. Hannibal
is very pleased that he has Petras to himself and he pulls out Mischa’s
bracelet to start playing with his mind.
Petras jumps to the worst conclusion possible, which is that his
children are dead, and starts to freak out.
Hannibal asks where Grutas is and Petras tells him that he is on his
boat in the marina. Hannibal allows him
to call his house to check on the children, who are fine. Hannibal gives Petras the chance to live, but
lays a gun on the counter knowing that Petras will not be able to resist
it. Petras grabs the gun and goes to
shoot Hannibal, but not before Hannibal stabs Petras through his head from
under his chin and the smile on his face is so maniacal that anyone would be
startled.
After Hannibal kills Petras he
rushes to the Marina and finds the boat that Grutas is on. Just as Grutas starts to rape Lady Murasaki Hannibal comes in and slices both of
Grutas’ Achilles tendons and attacks him to the ground. Grutas tries to psych Hannibal out by telling
him that Hannibal had also taken part in eating Mischa and it does not deter
Hannibal from killing Grutas but only sends him into a rage and he brutally
cuts an “M” into Grutas’ chest and then bends over Grutas and bites off Grutas’
cheeks. Lady Murasaki escapes after
trying to drag Hannibal with her, but fails because he needs to finish what he
started. The ship explodes and everyone
thinks that Hannibal is on it, but next you see Hannibal in Canada entering a
shop that is owned by Bronys Grentz. Hannibal starts to sing the lullaby and
drops the dog tags on the counter to remind and freak out Grentz. The screen goes blank and you are all left to
wonder and assume what had transpired.
When looking through the DSM-TR-IV
to diagnose Hannibal you can clearly see that he has 309.81 Posttraumatic Stress Disorder. His night terrors, flashbacks, insomnia,
memory repression are all clear signs which support this. However, as the film progresses you can see that
something else develops in Hannibal as he finds torturing, killing and playing
mind games with people to be enjoyable. He
is highly intelligent as well as a terrific artist, but he is socially awkward
which leads to him being misunderstood.
As I continued to look through the DSM manual I could not help but
settle on 301.7 Antisocial Personality
Disorder. I had marked that one and
continued to read through the personality disorder chapter, and came across 301.81 Narcissistic Personality Disorder
and was trying to decide if he possibly had that instead, but when looking back
at “Hannibal Rising” I found that he had not yet reached that extreme. Only after Hannibal Lecter has been killing
for quite a few more years does he develop 301.81
Narcissistic Personality Disorder, but even then I feel as though I would
be stretching it to diagnose him with that disorder. I stand by my diagnosis that Hannibal Lecter
starts out with 309.81 Posttraumatic
Stress Disorder and later develops 301.7 Antisocial Personality Disorder. Yes, even though Hannibal Lecter commits
murders and torture we do not have the diagnosis of “Sociopath” within the
DSM-TR-IV manual because “Sociopath” is really just a slang word that Profilers
give a group of people that they do not quite know how to diagnose because they
have so many characteristics of different Disorders.
309.81
Posttraumatic Stress Disorder
A.)
the person has been exposed to a traumatic event in which both of the following
were present:
(1)
the person experienced, witnessed, or was confronted with an event or events
that
involved actual or threatened death or
serious injury, or a threat to the physical
integrity of this or others
(2)
the person’s response involved intense fear helplessness, or horror. Note: in children,
this may be expressed instead by
disorganized or agitated behavior
B.)
The traumatic event is persistently reexperienced in one (or more) of the
following ways:
(1)
recurrent and intrusive distressing recollections of the event, including
images,
thoughts, or perceptions. Note: In young children, repetitive
play may occur in which
themes or aspects of the trauma are
expressed.
(2)
recurrent distressing dreams of the event.
Note: In children, there may be frightening
dreams without recognizable content.
(3)
acting or feeling as if the traumatic event were recurring (includes a sense of
reliving
the experience, illusions,
hallucinations, and dissociative flashback episodes,
including those that occur on awakening
or when intoxicated). Note: In young
children, trauma-specific reenactment
may occur.
(4)
intense psychological distress at exposure to internal or external cues that
symbolize
or resemble an aspect of the traumatic
event
(5)
physiological reactivity on exposure to internal or external cues that
symbolize or
resemble an aspect of the traumatic
event
C.)
Persistent avoidance of stimuli associated with the trauma and numbing of
general responsiveness (not present before the trauma), as indicated by three
(or more) of the following:
(1)
efforts to avoid thoughts, feelings, or conversations associated with the
trauma
(2)
efforts to avoid activities, places, or people that arouse recollections of the
trauma
(3)
inability to recall an important aspect of the trauma
(4)
markedly diminished interest or participation in significant activities
(5)
feeling of detachment or estrangement from others
(6)
restricted range of affect (e.g., unable to have loving feelings)
(7)
sense of a foreshortened future (e.g., does not expect to have a career,
marriage,
children, or a normal life span)
D.)
Persistent symptoms of increased arousal (not present before the trauma), as
indicated by two (or more) of the following:
(1)
difficulty falling or staying asleep
(2)
irritably or outbursts of anger
(3)
difficulty concentrating
(4)
hypervigilance
(5)
exaggerated startle response
E.)
Duration of the disturbance (symptoms in criteria B, C, and D) is more than 1
month F.) The disturbance causes significant distress or impairment in social,
occupational, or other important areas of functioning.
Specify it:
Acute: if duration of symptoms is less
than 3 months
Chronic: if duration of
symptoms is 3 months or more
With Delayed Onset: if onset of
symptoms is at least 6 months after the stressor
301.7 Antisocial
Personality Disorder
A.)
There is a pervasive pattern of disregard for and violation of the rights of
others occurring since age 15 years, as indicated by three (or more) of the
following:
(1) failure to conform to social
norms with respect to lawful behaviors as indicated by
repeatedly performing acts
that are grounds for arrest
(2) deceitfulness, as indicated by
repeated lying, use of aliases, or conning others for
personal profit or pleasure
(3) impulsivity or failure to plan
ahead
(4) irritability and aggressiveness,
as indicated by repeated physical fights or assaults
(5) reckless disregard for safety of
self or others
(6) consistent irresponsibility, as
indicated by repeated failure to sustain consistent work
behavior or honor financial
obligations
(7) lack of remorse, as indicated by
being indifferent to or rationalizing having hurt,
mistreated, or stolen from
another
B.)
The individual is at least age 18 years
C.)
There is evidence of Conduct Disorder with onset before age 15 years
D.)
The occurrence of antisocial behavior is not exclusively during the course of
Schizophrenia or a Manic Episode
301.81
Narcissistic Personality Disorder
A
pervasive pattern of grandiosity (in fantasy or behavior), need for admiration,
and lack of empathy, beginning by early adulthood and present in a variety of
contexts, as indicated by five (or more) of the following:
(1)
has
a grandiose sense of self-importance (e.g., exaggerates achievements and
talents, expects to be recognized as superior without commensurate
achievements)
(2)
is
preoccupied with fantasies of unlimited success, power, brilliance, beauty, or
ideal
love
(3)
believes
that he or she is “special” and unique and can only be understood by, or
should
associate with, other special or high-status people (or institutions)
(4) requires excessive admiration
(5) has a sense of entitlement,
i.e., unreasonable expectations of especially favorable
treatment or automatic
compliance with his or her expectations
(6) is interpersonally exploitative,
i.e., takes advantage of others to achieve his or her own
ends
(7) lacks empathy: is unwilling to
recognize or identify with the feelings and needs of
others
(8) is often envious of others or
believes that others are envious of him or her
(9) Shows arrogant, haughty
behaviors or attitudes.
By: Samantha LeFils
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